I'm more interested in not boring myself (as a writer).
But then again, it is necessary to note that some exposition is necessary to transition from one scene to another. The trick is to keeping the plot developing.
I'd also try to avoid having some favourite piece of music playing on whatever device the character has on hand, unless the music is pivotal to the plot or its development.
Try to keep distance between plot structures' causes and effects. It's very boring, banal and mundane to fulfil a setup immediately. Keeping distance between a circumstance and its resolution not only aids suspense, but also encourages profundity in its eventual revelation. It's the essence of good joke telling as well as promoting unexpected surprises.
Sometimes, alternating different setups and resolutions can be of immeasurable help to sustaining both reader's and author's interest in a story as it acts as a kind of step ladder of development for the plot. Very useful to inhibit writer's block, too.
Finally it must be stated to not worry too much about the clichés, sometimes these can be very useful, especially when used out of their normal context, but then, we should probably ask if they are then still clichés?